Good Art, Bad Art, It’s Hard to Tell the Difference If Your Definition Is Broad Enough

Good Art, Bad Art, It’s Hard to Tell the Difference If Your Definition Is Broad Enough

And I think it should be very broad, indeed. As in, not restricting it to things you admire or even like, beyond to what you find chaotic or obvious.

Because creativity is vast, and the things humans make are sometimes unexpected, and sometimes they look like a mess, framed.

But it’s hard to tell when someone is sincere and when they just have no idea what they’re doing. We praise a child’s exuberant stick figures, but disparage them when they come from an adult. Unless they’re funny! I’m that case, we can’t get enough of them (XKCD, Cyanide and Happiness).

Looking at Paul Klee’s work, there’s a childlike energy to it, and it’s still dismissed at a glance for being too simple or cartoonish. But there’s a deep symbolism within, sometimes invented, sometimes referenced to real world things. You can certainly dislike it, but it helps to look beyond the labels “good” and “bad.” Even in things you find gross or dumb, there’s often a lot of hard work that went into making it the way it is. Sometimes, even the fast sketches and drips contain years’ or decades’ worth of study and practice behind them.

It’s not that you can’t call a thing bad. Opinions are had by us all. But consider leaving it at the cursory or joke level, and always give a shit about looking deeper. It feeds and informs your work to be charitable and open to the stuff you encouter.

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