Defying One’s Musical Expectations for Fun and (Non-Monetary) Profit With Strange Genres

Defying One’s Musical Expectations for Fun and (Non-Monetary) Profit With Strange Genres

That’s what I was listening to earlier this evening, after sampling tracks across the massive Merzbow catalog. I’m not very familiar with the noise music genre, but it’s pretty antagonistic. Not really what I would call music, really, but something like difficult listening? Or kind of terrifying listening. It’s what evil alien robots would put on for entertainment. There are ghosts of melody, and of rhythm, but the tracks keep frustrating attempts to pick stable patterns out. It’s overwhelming, but after a while, I got into it.

The other parts aren’t so confrontational, they seem more akin to the work of a musician I really like: Mick Harris, particularly his Lull moniker. Well, I like Lull and some other isolationist stuff a lot. But that moves glacially and is minimalist. This, especially the first track of Achromatic, is like chaos itself through a few distortion pedals.

But, again, I got into it. It’s a little like reverse meditation. Your discomfort becomes focus, because it pushes everything else out of its path.

If this were your “thing,” if this was what you purport to listen to casually and regularly, I’d raise an eyebrow. I’d miss too much of what I enjoy music for—melody, rhythm, repetition.

Defying your expectations and assumption is a way to break out of stagnation of any kind. Exploring insanely different things than you know is good, even if it’s uncomfortable at first. Everything worth experiencing has a non-zero amount of effort to acquire it.

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