If you’re lucky, some of them like to write, and they’ll put that out into the public sphere, too. It’s helpful to have a broader picture of the artists you admire.
Sometimes, they’ll disappoint you. That’s okay, it happens to our family and friends now and then. Once in a while it’ll be so far from your personal beliefs, you lose respect for them and won’t want to support them. That’s also useful to know.
Mainly, though, following along with a few artists you enjoy gives you an inside perspective on art that art history rarely will. We study works in isolation, much of the time. We hop around in time at a dizzying pace. But it’s like waiting for the next album from your favorite band when a painter you love announces a new show or upcoming project.
It’s the view from here, in real time, and it puts our own work on the same scale. We can be motivated and inspired by artists working right now in a way that is immediate and visceral. Uncle Paul (Klee, for any new readers) and Georgia O’Keefe are great and inspiring. But we see all their best work at once, and the scale and temporal connection is gone, just as they’re gone.
We learn a lot from the masters of the past. But the future masters who might arise from the ones we admire today can teach us just as much.