There’s something exciting about art world controversy. Even in school, and getting angry about some sculpture or painting or exhibition I deemed “fake,” or “insincere,” or “pandering,” I still enjoyed the engagement those works provoked in me and in my fellow students.
So, anew, is the latest in back-and-forth arguments about the relative worth or meaning of a work. Heatherwick installed “Vessel,” a linked set of staircases, basically, in Manhattan, NYC.
For me, it most resembles one of those sets in sci-fi films where members of an alien tribunal gaze down on humans and condemn them to work in salt mines on some distant planet.Andrew Russeth