Particulars of Noticing You’re Noticing: Part 3 of This Many

What do we do with all these things we’re noticing? If we start paying attention to both sides of things, we’re seeing details we overlook. We’re noticing how they fit into a larger context: the big picture. What’s after getting these new thoughts and images?

The things we take for granted, things we think are routine and familiar are full of life and fractalised components of being. But you don’t have to consciously apply the stuff you perceive to any creative thing you’re working on.

This act of trying to see deeply applies itself.

I would argue—and I do argue—that there’s a magic connection to your work, if you’re doing both things together. “Magic” not in a mystical sense, but in an ineffable I-don’t-know-how-this-works-but-it-happens sense. Making and creating is enhanced and enriched by your changing the way you move through familiar environments. And the fact that you’re working on art of some kind enlivens your mundane perceptions.

You don’t have to try. We can overthink the work very easily. I think a better way to improve and hone the thing you do is to carry the feelings and careful way of seeing (or listening) outside the place you make that thing.

Consider not boxing in your work. See if you can open the sense of flow throughout the rest of your day.