Somebody linked Holly Herndon’s Godmother on Twitter months ago, and I was an instant convert, sorry that I hadn’t found her before. Herndon recently finished her music PhD, and her sound is a kind of amalgam of vaguely recognizable traditional cultural forms of uncertain origin. It sounds weirdly familiar, but I can’t place specific influences.
There’s an emphasis on rhythm and voice. Herndon and her collaborators pile vocal tracks atop one another in a dizzying stack, though production remains remarkably unmuddied.
There’s also something disturbing, unnerving about both songs and video. Herndon uses programmed manipulation to chop up lines, in some cases letting a trained AI feed impressions back into songs. It’s all heady and fresh, and I’m very on board.