It feels good to paint again, even if just digitally. I’ve been buried in black and gray and white for a month, and color is knocking me out, again.
In reality, “real life,” the stuff outside of art—and who wants to deal with that?—the coming winter has put me in a mental whirl. I’m excited to work on projects, but I’m also desiring more time to sit and ponder and be bored. I’m not sure which will overcome the other.
I think the next year will be all about disrupting patterns and habits. I’d like to get more out into the world, and I’m feeling more settled into the city, finally. Prospects abound.
I see it a lot watching music videos on YouTube or Twitter, comments deriding an imperfect performance or comparing musicians. It’s not that anybody’s above criticism, but it takes less effort to dismiss art than to look deeper than the surface.
It works for painting or visual art of other kinds, too. Things get tricky underneath. Things get weird. There’s subtext, technique, subtleties of all kinds.
Sometimes we get sloppy, sometimes we flub it. But it’s rewarding and helpful to look for the best of any work, to see what is done well or uniquely. Avoiding the bad is harder than trying for the good. It’s a new game that keeps me looking further.
I finally finished the 31 Inktober drawings, only a few weeks late. Sarcasm aside, it’s often worth it to finish a marathon, even when you’re far behind. Discipline can be its own reward.
Not to mention, completing things is precedent for future projects. The more we get used to abandoning the things we start, the easier it gets to never finish anything. (NOTE: This is in addition to knowing when to quit. Sometimes it’s best to change paths, and the wisdom to know when is hard won)
Several of the drawings started as sketches which I drew over for the finished piece. There’s a power in these raw sketches, and sometimes more life than the most polished completed work. A lot of time and effort goes into capturing as much of that life as possible. This is where the art is.
About the Author
Marcus is a maker of things and thoughts. He currently resides in Portland, Oregon.