I was reading a bit from a newsletter about gesture drawing, and how they can, given the proper technique and direction, lead to refinement of your regular work in drawing. I mean, it can, sort of, but this is weird to me, because it isn’t how I think about gesture drawing, which I learned in a different way.

Gesture drawing, in the Nikolaides tradition, is a way to discover how something feels when you draw it. It doesn’t usually look like the thing you’re drawing, and it doesn’t matter that it doesn’t. Because part of learning to draw is learning how it feels to draw, to become connected with your subject. You end up drawing more accurately because you’re getting out of your own way, not drawing how you think something looks, but translating it into paper like it was a language.

Gesture drawings are quick, aiming for essence and motion, not likenesses. They’re bits of nonsense, scribbles with soul, and it’s ideal to make them your partners.