I spend considerable time every Mother’s Day missing mine. It is getting a little easier balancing that with remembering how lucky I was that she was so amazing.
But I couldn’t help sharing this small, profound moment from Keanu Reeves’s appearance on The Late Show With Stephen Colbert. It’s just a person who’s aware of our place in the universe and he tells the truth.
“What do you think happens when we die, Keanu Reeves?”
“… I know that the ones who love us will miss us.”
Laurie Anderson on the Changing, Mass-Moving World, and Needing to Embrace It
Anderson has long been one of my favorite artists, hard to pin down, stylistically, and spanning multiple media. Here, she breaks down the need to change our perspective to embrace the changing humanscape, where cultures meld and millions have to absorb either an influx of new people or being thrust into a new society.
These thought patterns have implications for thinking about and moving forward with your work.
I don’t know why I haven’t ever seen Father John Misty’s music video for “Date Night.” It’s my favorite from his album God’s Favorite Customer, and this weirdness is all the better for racing by in under three minutes.
Jim Henson did a pilot for a proposed show in 1962 called Tales From the Tinkerdee. Typically brilliant and gloriously silly, it features Kermit as a minstrel who sings his lines as well as his songs.
Speaking of weird and silly, there are tons of Kids in the Hall sketches I think about now and then, and some I still am not sure I fully understand, but love them anyway. “Potato Salad,” a paean to domestic goddesses and the disorientation of daily mundanity resonates, but also makes me laugh really, really hard. Bruce McCullough’s recurring housewife character is both inane and charming.
Desocial-Mediafying Is One Way to Get Further Into Your Creative Habit
There are a number of people I know of—and friends I know—who are either decoupling from the endless social media feeds completely, experimenting with vacations away from them, or moderating down their use and intake of the same. It’s probably healthy to do one of those things if you find you’re not doing the things you think you want to, or feeling gross after scrolling feeds. John Green, no less, is taking a year off social media completely:
He takes time to point out the good things about social media, too, but overall, wants to spend some time being better at the things he wants and needs to do.
Similarly, Wheezy Waiter (Craig Benzine) and his wife, Chyna Pate, quit the internet entirely for a month and vlogged the results:
I think even if we don’t go the radical route, there’s a lot of food for thought in these vids, and tangible utility in understanding the brain hacks of social media and how we might benefit from circumventing them.
I watched Spielberg’s Close Encounters of the Third Kind yesterday. I’m always struck by how carefully he set up his shots (well-deserved Oscar by cinematographer Vilmos Zsigmond), and tells the story with just enough info to go forward with, forcing you to create the missing information in your own mind.
A Short Film About the Moon As a Light Bulb and Katie Paterson’s Mesmerizing Examination of It
Katie Paterson is a Scot who works in Berlin, and the above film is mostly about the creation of a light bulb meant to emulate moonlight.
Her web site mentions her work is often about time and change, but I’d say it’s time and what remains constant. It’s charming and thoughtful, and her morse code message sending Beethoven’s Moonlight Sonata bouncing to our satellite and back is an exploration of both how we make the moon a kind of person, anthropomorphizing it in so many ways, and also of our certainty of its permanence in our strange, short lives.
A Virtual Mars Mission Proves You Only Need Your Imgination
I’ve always admiredTom Wilson’s bravura performance in the Back to the Future trilogy, he made a lot with his part and created a very real Biff out of a basic cartoonish part.
But here Tom—opposite Christopher Lloyd—seems to feed off the presence of the crowd, generously giving his seemingly boundless energy to an appreciative audience.
This sort of presence is something of a mystery to me as a confirmed introvert. I have to fake being calm and into the thing discussed. If I could be this guy when doing art-related speaking or activities, I’d try to do it more often.
Macca Making the Most of His Moods Means Much to Me
Paul McCartney’s slightly vertigo-inducing video for “I Don’t Know” is one of my favorite tracks on his new album, Egypt Station. It’s not a great album, and could have used some trimming, I think, but there are gems, and this is one. Paul often gets dismissed for, well, silly love songs—specifically by John Lennon, there—but mostly by those who consider he’s forever cranking out sunny fluff. But he’s got a darker side, his share of gloom, and those songs are found throughout his oeuvre.
It seems a piece with some of his later work where he addresses being older, having a sense of his own mortality. Self-examination is important for all of us, especially those of us making things. We put our hearts into the work, and without knowing the dark side as well as the light, we aren’t approaching it with our complete selves.
Stuck on ‘Making Of’ and ‘Behind the Scenes’ Videos the Last Four Days
It’s kind of a video version of comfort food. ST:TNG and Back to the Future have been mainstays. It’s strangely soothing to hear people talk about their respective franchises from both inside and outside.
I am exhausted, and this stuff is helping me cope while I settle into a new city attempting to tie up loose ends in the old.