If you only have a dream, or a vision, or an idea, it’s still worth exploring to its fullest extent. That is all.
I’ve always admiredTom Wilson’s bravura performance in the Back to the Future trilogy, he made a lot with his part and created a very real Biff out of a basic cartoonish part.
But here Tom—opposite Christopher Lloyd—seems to feed off the presence of the crowd, generously giving his seemingly boundless energy to an appreciative audience.
This sort of presence is something of a mystery to me as a confirmed introvert. I have to fake being calm and into the thing discussed. If I could be this guy when doing art-related speaking or activities, I’d try to do it more often.
Paul McCartney’s slightly vertigo-inducing video for “I Don’t Know” is one of my favorite tracks on his new album, Egypt Station. It’s not a great album, and could have used some trimming, I think, but there are gems, and this is one. Paul often gets dismissed for, well, silly love songs—specifically by John Lennon, there—but mostly by those who consider he’s forever cranking out sunny fluff. But he’s got a darker side, his share of gloom, and those songs are found throughout his oeuvre.
It seems a piece with some of his later work where he addresses being older, having a sense of his own mortality. Self-examination is important for all of us, especially those of us making things. We put our hearts into the work, and without knowing the dark side as well as the light, we aren’t approaching it with our complete selves.
It’s kind of a video version of comfort food. ST:TNG and Back to the Future have been mainstays. It’s strangely soothing to hear people talk about their respective franchises from both inside and outside.
I am exhausted, and this stuff is helping me cope while I settle into a new city attempting to tie up loose ends in the old.
Case in point, so many internet things that are amazing and have criminally few eyeballs and earholes attached to them. I understand the magic of discovering treasures that are meaningful to you. I’m sad that it’s such a widespread impulse to resist sharing those things with everyone else. It’s the Daffy Duck mentality, a throwback to post-infancy, when we desired everything for ourselves, before we learned empathy.
One of the reasons I’m continuing to work on this blog is to share those things, to resist the hoarding impulse. Because it’s in the sharing that we grow, it’s in the mutual delight of discovery that we support and enhance each other. This is a better way to live.
All that to say, watch the latest BJ Rubin show. It’s full of music that’s so far out on the fringe it’s fuzz floating away on the breeze. It’s weird, it’s unique, and the world needs so much more of that right now.
She continually makes amazing, affecting, and beautiful work in multiple mediums. Her pieces mostly examine women’s issues and feminism. Take a break from the consternation all around us and revel in it.
Apologies for this one coming so late, sometimes my ‘net connection is patchy.
NOTE: This post was originally crafted for Jun 13, but I found out later that some electronic mishap or other wiped out most of the text and links leaving only the partial draft unpublished, so I’ve tried as best I can to remake it.
If you haven’t seen The Carters’ (Beyoncé & Jay-Z, after the latter’s surname) new video, “Apeshit,” it’s a wonderful and powerful repurposing of The Louvre for the video. I’ve seen some shade thrown and trash talked about their lack of formal education, but Jay and Bey’ are avid art collectors and clearly know what they’re doing.
There are plenty of breakdowns online about the art and symbolism, but I wanted to point out a couple things I saw that I haven’t seen noted. The video takes place almost entirely within The Louvre, as staid and haughty an institution as exists in the art world. Its unmoving structure, for the most part consisting of neutral and white surfaces, is subverted by movement and color, mostly women of color, at that. Dancing in front of the Coronation of Napoleon by David is defiant, for sure, but also resonates with Beyoncé’s oft-labeled nickname, Queen Bey. She and Jay-Z lay claim to all the cultural heritage of the West, while simultaneously calling out the white-centric focus of canon past. Movement and music are not parts of the art world often celebrated by museums, and here we see a beautiful correction.
There’s lots to notice, particularly the works they chose to highlight, and probably more than can be absorbed in one viewing.
The final scene, too, is stirring, as the two artists join hands in front of the Mona Lisa, in effect declaring themselves “in,” members of the art world as much as any other. It’s a measure of their success and confidence in their considerable abilities that The Carters could rent out The Louvre to make this video. It’s a greater measure that they take pride in showcasing, critically examining, and paralleling the art inside, too.
I can’t help but think of this Kids in the Hall sketch every time my day gets weird. I’d say it was just life, but that isn’t anything you don’t already know.
PS I recommend having drinks with your cow-orkers when possible. It makes the ordinary burdens of a day job a little lighter.
Fig. 1: detail from a game concept sketch
A fair bit of the internet is being charmed by this video of two girls who are meeting for the first time in person. It’s true that real friendships are forged and nurtured on the ‘net (as the kids no longer say), and that some connections wouldn’t be possible at all without it. But the joyous intensity of emotion on these girls’ faces as they touch for the first time is a level above where they were just minutes before they saw each other.
A best friend of mine and I have daughters the same age. We introduced them via FaceTime 4 years ago. They’ve talked daily since and are best friends. They live 7+ hours away and our schedules never lined up to have them meet in person until this moment. Neither of them knew it was happening. from aww
We need each other, but we need each others’ physical presence, too. The idea so many of us had of staying home and reaching out to the world from safety and comfort isn’t what we need. It’s nice to do that and have interactions across world-spanning distances. But standing across from you and your body next to me is deeply and essentially part of what makes us human. I’m moved to tears and I’ve had not a single previous moment with either person above, ever. It’s deep and it’s touching. “Are you real?” is going to stick with me for some time.
I’m a fan of hers, but I didn’t think I’d want to listen to more than a snippet of Juliana Hatfield’s Olivia Newton-John covers album. But I did! It’s a lot of fun, and good to hear these songs interpreted by a musician I’ve long admired and respected.
I just started watching Civilizations on PBS, and it’s already a marvelous wonder. In the very first minutes, the horrifying story of Khaled al-Asaad‘s murder by ISIS members for refusing to divulge the hidden whereabouts of the art he spent much of his life caring for is starkly told. But the big picture is that of how important art is to our humanity.
A lot of us spend our days talking about art—I doubt very much if very many of us are prepared to lay down our life for it. For Khaled al-Asaad, the stones and statues and columns of Palmyra were more than simply an ensemble of antiquity, they were the expression of what the creative imagination could do to make a city home.
— Simon Schama
A bit later, there’s this, about the earliest sparks of artistic impulse—at least, the ones left behind and found, so far—that speak to the definitive nature of art’s place in making us what we are.
Other kinds of animals make tools. Other kinds of animals may have some kind of language. We know that other animals have extremely complex social organizations. But what about art? I think we can see art as being maybe one of the only ways that we can imagine humans to be distinctively different.
PBS.org is streaming this currently, watch this before it expires.