One of my favorite art educators died on December 26th, leaving behind a rich and passionately devotional trove of videos and books about art behind.
Sister Wendy was a fascinating and amusing figure in her capacity as a guide and an insightful interpreter of art for millions who were enraptured by her tours through the history of art. She taught boldly and with grace. Below is a typically wry and studied segment, her description and explanation of Botticelli’s Birth of Venus.
Things like the things you make may have been done before, but that’s been true for thousands of years. We remake the images and thoughts and ideas we’ve always made, filtered through one small, unique lens that can only be our own.
Every bit as genius as several of the abstract expressionist leaders was Thai painter Tang Chang, and his work is the subject of a retrospective at The Smart on the U of Chicago campus. When I look at Chang’s work, including “concrete poetry” (I need more of that in my life), it’s easy to see how narrow my view is—even with some significant effort, both in school and out of it, to broaden it—of what works and artists are important and need to be remembered, versus what we’ve been told.
It’s not that the wacky bunch of brooding white dudes didn’t do amazing things. It’s that they weren’t the only ones, and weren’t always the best or first doing them. There’s always a massive pile of feverish creation going on at any given moment. We share the same penchant for art, all of us humans.
Chang was halfway around the world from Jackson Pollock and de Kooning. If we’d had the internet in the 40s, would his stuff be exhibited with theirs? Would his name be mentioned alongside theirs? I think it’s important to keep searching for an expanded view of art history, and who has languished in obscurity while we lazily hold up the same set of dudes as our important icons. There’s a lot out there to know, discover, and understand.