Amanze works with surrealism and figure—mashups? There’s a mystical element to many works, finely detailed figures and things floating in the white space of their surfaces.
It’s disturbing and charming at the same time. The sense of myth or spirit world imbues the drawings that also show us the plain, real, everyday. The open spaces have a quiet, meditative structure, where anything could happen, but for now the moment of stillness stretches.
Notwithstanding the problems some of us have giving blood (sexually active gay men are still prohibited), if you can, it will likely save someone’s life.
Art is the same. It can save, after it can also excite, enrich, and enliven the people you give it to.
The piece above is by one of my drawing professors, Siobhan McClure. The drawing was a gift to me, in thanks for a supplies donation I made to the School of Art when I left L.A. it was unexpected, and it delighted and humbled me.
Art is so very basic to our humanity. Giving it to each other is an act of acknowledgement and celebration of that essence. If you make art, don’t overlook its power as a gift to others.
I’ve been poring over the work of Christine Sun Kim, who works with sound as a symbol and subject, but often without using it as a medium. Her drawings especially are a lovely and evocative examination of assumptions we have about things like music and notation.
I’d hazard a guess that her approach is so visual because Kim is deaf.
I’m pretty late to the Star Wars Day party by nearly two weeks, but I just discovered this clever thing and had to share. It’s a wee reminder that every time you think it’s all been done with a certain kind of art, somebody finds a way to mix it up with something else and give us a new thing.