Eisenman works with figures, or more accurately, with the body. She often puts a queer sensibility in her pieces, playing with gender expression and convention. She’s another artist who often puts humor into her work, which I always like to see in fine art.
So much contemporary art takes itself super seriously, and we could all do with occasional wind taken out of our hoity-toity sails. The sculpture, Sketch for a Fountain (2017), is a joyous and life-celebrating piece, something the world always needs more of.
I see echoes of other artists in her paintings, Guston and the realists (usually parodied) are two, historical painters edge in as well. The occasional crudeness—maybe grotesquery is more apt—belies her skill as a draftsperson. Enjoy, Boston.