Routine

The same old dull routine. It makes you crave a change, tired of the stuff you’ve made that’s become regular, overly familiar. When habit has become tedious, it might be time to let it go for a day.

Change is good, and taking a break from monotonous behavior of any kind can reinvigorate you, re-energize you. It might be a relief to break out of a rigid structure of rules, even when you’re the one who’s set them.

Let the routine go for once, laze around, do nothing, think about a new direction, explore your surroundings. Everything is fodder for a new making. Indulge.

Just don’t go more than a day. Be back to the habit soon to put the new fire into the old coals.

Going With Your Gut

What stops us from our work, from making things, is often fear of the unknown. What if they don’t like it? What if I’m a fraud? What if it sucks?

But that’s our fear’s job. It’s a valuable evolutionary trait and we need it, but not where art is concerned.

When editing and refining, you can consider and revise and judge. Deliberation when you’re working only stops the flow. Trust your habit and your instincts with the blank page, The uncarved block, the white canvas. Gut instinct is just another term for getting out of your own way.

Going Fast

We live in a world that seems to accelerate with alarming regularity. Expectations of delivery and downloads is ever increasing, with every upgrade and iteration.

We can meet that expectation in our work. But there are advantages to going slowly: the pressure is lessened. We can gain perspective as we work, rather than in hindsight.

A daily habit, steady work, will always beat out frenetic flurries that require inspiration to kick them off.

Back to the Drawing

“I can’t draw!” Yes, well, even proficient artists feel like that, at times. There always seems another level to rise to, and never enough practice to get you up there.

Like most things art, though, it’s all about patience and regularity. Practice isn’t a temporary condition for students, it’s a lifetime habit. Whatever you cultivate will yield fruit, and that’s not just for real life stuff, it includes compelling abstract work.  But to sidestep frustration with our progress—and lack of it—in drawing any particular subject, it’s about two main things.

First, simple tenacity. Drawing is the foundation of all other visual art, and it feeds into everything else if you do it regularly to keep in practice. It’s like working out, you’ll never notice changes day-to-day, but every so often you notice you’re suddenly better—or fitter—than a few weeks ago, months ago, years ago.

Second, kindness. Not in general—but do that, too—but to ourselves. Be kind to you and try to avoid beating yourself up for any perceived lack of progress. There’s no end point, so there’s no race or rush, it’s just something you do. And it can be anything, not necessarily a high concept or grand scene. Simple lines. Circles. Cups. Leaves. Hills. Buildings. Faces. Figures. All worthy subjects along the way. Just the habit of working, as usual, is the most important thing.

Then, don’t stop.

Quick Work

Working to deadlines is often necessary. Time is the one luxury we can’t invoke more of with greater resources, it just gets reallocated.

But, as in every other aspect of creating that requires shoving other things and obligations aside in order to do the work, even a short time is better than none. Here’s where the habit comes in: it takes over when stress and lack of motivation are high.

And, sometimes, we can only produce a small amount of something. Some times are filled with despair and uncertainty. We can only trust that these are transitory. Everything passes by. What might make a difference is that it’s rare something has to be finished in one day. Mostly, work is done in stages, building on things that were done on previous days.

We trust that the pile we’re throwing today’s work upon is going to look better, eventually. It isn’t about today, nor tomorrow. And that holds true even during times we feel good about the shovelful we’ve made in any one day. When there’s flow and inspiration and a sense of insight, it’s still only a passing day’s work to throw on the heap, and it’s little different whether it’s hours’ worth or a few minutes. You won’t be able to tell when you got a little done or a lot, it’s still one big, lumpy pile of work. Consistency is always better. And the rest is editing.