There are a few artists doing something not too far from the things I’m experimenting with. Animals in stories, more abstract forms, saturated color. Angela Harding has a woodcut feel to most of her work, and it’s edging more into the commercial print realm than I usually want to go. But I don’t want to ignore that world, either.
Harding is—and rightly so, I’m sure—taking advantage of the attention on her work to expand her venues to merchandising and business commissions. And why not? There’s more snobbish division than I like between illustration and “fine art,” and I don’t think either is superior.
Her work has an art of the mysterious, a little Gorey in there, some dark shadows contrasting the playfulness of the scenes.