I’m always fascinated by artists who interact with the physical world in various ways. Especially when they turn the familiar upside down. Magda Sayeg does this sort of thing a lot, creating what I’d call interventions more than merely installations.
Using yarn as a medium has some deep connective salience. It’s familiar, but outside the context of a home or apparel, it brings a sometimes unnerving resonance to both natural and human made objects. Simultaneously, it adds touches of humor and cozy familiarity, drawing us in with bright color and warmth.
One of the advantages of the new year being in the winter is that is encouraged slowing down. The wild outdoors, so alive and encouraging in summer, is more asleep than any other time, especially the further toward the poles you go.
It’s good for you, the artist—the maker and creator—to slow down with it. Got some resolutions to uphold? They’re probably internal to your own psyche or stuff you’ll do inside, mostly. So let winter slow down your approach and process. Roll with the season and see how much easier it is to be deliberate and steady. You’re making progress and it’s fun, eh?
When it warms up and things around you come alive, it’ll be time to make a big, arcing dive into stuff. But for now, relish the world’s encouragement to stay inside and slowly build up a habitual head of steam.
The Forest Frames and Supports Edith Meusnier’s Amazing Fiber Work
The photo above is typical of German artist Konrads’ site-specific installations. They’re often transformations of space and concept, with everyday objects either flying apart in pieces or forming a new doorway into their surroundings. She remakes the environment around her pieces by alternately sinking objects into it and pulling them out of it.
It’s really amazing work that takes the most mundane materials and creates magical planes dividing reality. h/t #womensArt (@womensart1 on Twitter)
Dominique Fortin brings an Storyteller’s Touch to Contemporary Painting and Drawing